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www.daihatsu-rooftop-gallery.at

  www.daihatsu-rooftop-gallery.at

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www.daihatsu-rooftop-gallery.at

  www.daihatsu-rooftop-gallery.at

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die Liegenden (Ludwig und Wong). // Reclining figures (Ludwig and Wong).

die Liegenden (Ludwig und Wong). Stahl, Teppich. 40x220x160cm 2017

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die Liegenden (Ludwig und Wong). // Reclining figures (Ludwig and Wong).

die Liegenden (Ludwig und Wong). Stahl, Teppich. 40x220x160cm 2017

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Vienna Sidewalk Astronomy Club (V.S.A.C.)

Vienna Sidewalk Astronomy Club (V.S.A.C) (Bild : Thomas Hitchcock, Installationsansicht Kunstraum Niederösterreich) Skulptur/Installation 340x80x120 cm Gußeisen, Elektrik, div. Materialien 2017

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Vienna Sidewalk Astronomy Club (V.S.A.C.)

Vienna Sidewalk Astronomy Club (V.S.A.C) (Bild : Thomas Hitchcock, Installationsansicht Kunstraum Niederösterreich) Skulptur/Installation 340x80x120 cm Gußeisen, Elektrik, div. Materialien 2017

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Club Whiteout Antarctica

  “Club Whiteout Antarctica” Performance, Lust Gallery Vienna, 2013, as a Sub-performance of “Creatures, whose shadows couldn’t be identyfied by the people in Plato’s cave.” length: 04min03sec. Total length: approx. one hour. bühnchen (a study about brechtian theater-techniques.) 180x230x320cm various

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Club Whiteout Antarctica

  “Club Whiteout Antarctica” Performance, Lust Gallery Vienna, 2013, as a Sub-performance of “Creatures, whose shadows couldn’t be identyfied by the people in Plato’s cave.” length: 04min03sec. Total length: approx. one hour. bühnchen (a study about brechtian theater-techniques.) 180x230x320cm various

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Versuch einer kybernetischen Herleitung von Meret Oppenheim’s Frühstück im Pelz. // Attemping a cybernetic derivation of Meret Oppenheim‘s „Breakfast in a fur“.

Installationsansicht/Performance Kunstraum Niederösterreich Performance im Rahmen des h13-Preis für Performance 2013 3 Modelle jeweils 150x100x 90cm Plexiglas, UV-Druck, Holz, Schrauben 2013       HD-Video – Dokumentation der Performance – Kunstraum Niederösterreich Dauer: 7 min 2013       Versuch

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Versuch einer kybernetischen Herleitung von Meret Oppenheim’s Frühstück im Pelz. // Attemping a cybernetic derivation of Meret Oppenheim‘s „Breakfast in a fur“.

Installationsansicht/Performance Kunstraum Niederösterreich Performance im Rahmen des h13-Preis für Performance 2013 3 Modelle jeweils 150x100x 90cm Plexiglas, UV-Druck, Holz, Schrauben 2013       HD-Video – Dokumentation der Performance – Kunstraum Niederösterreich Dauer: 7 min 2013       Versuch

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Friedrich II. is lobbing some potatoes at a gong.

finefinefine 300x80x25cm Gong, Traffic sign, steel-pole, 2016     Friedrich II. is lobbing some potatoes at a gong. A fictive re-contextualization of Rodney Graham`s Performance “Lobbing potatoes at a gong.” with the political policy of Friedrich II, who ruled Preussen

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Friedrich II. is lobbing some potatoes at a gong.

finefinefine 300x80x25cm Gong, Traffic sign, steel-pole, 2016     Friedrich II. is lobbing some potatoes at a gong. A fictive re-contextualization of Rodney Graham`s Performance “Lobbing potatoes at a gong.” with the political policy of Friedrich II, who ruled Preussen

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Heidi shows us how to recite a handwritten, non-readable text.

HEIDI. Das halböffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. Performance/Installationsansicht wellwellwell Wien im Rahmen der Ausstellung „LA_FOLIA“ Holz, Lack, Acrylfarbe, Metall, div. mechanische Elemente, Textilien. 2Tafeln: Dimensionen: 150×200 cm 1 mechanisches Objekt 1 Modell eines Bettes (mit Mechanik) Microperformances

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Heidi shows us how to recite a handwritten, non-readable text.

HEIDI. Das halböffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. Performance/Installationsansicht wellwellwell Wien im Rahmen der Ausstellung „LA_FOLIA“ Holz, Lack, Acrylfarbe, Metall, div. mechanische Elemente, Textilien. 2Tafeln: Dimensionen: 150×200 cm 1 mechanisches Objekt 1 Modell eines Bettes (mit Mechanik) Microperformances

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Die ideale Fläche ist gekrümmt. Color fields forever.

Die ideale Fläche ist gekrümmt. (Colour fields forever.) jeweils: 70 x 40 x 40 cm Holz, Stahl, Lack; 2010 /// Some proposals for ideal curved surfaces. (Colour fields forever.) 70 x 40 x 40 cm each wood, steel, enamel paint

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Die ideale Fläche ist gekrümmt. Color fields forever.

Die ideale Fläche ist gekrümmt. (Colour fields forever.) jeweils: 70 x 40 x 40 cm Holz, Stahl, Lack; 2010 /// Some proposals for ideal curved surfaces. (Colour fields forever.) 70 x 40 x 40 cm each wood, steel, enamel paint

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The Jackson complex

The Jackson complex Installation/Performance Galerie Altnöder/Salzburg 2010 Fotos: Flora Peyrer-Heimstätt The Jackson complex Installation Galerie Altnöder Salzburg 140x90x160cm diverse Materialien 2010 /// The Jackson complex installation Altnöder Gallery Salzburg 140x90x160cm various materials 2010 The jackson complex Video HD 04 min

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The Jackson complex

The Jackson complex Installation/Performance Galerie Altnöder/Salzburg 2010 Fotos: Flora Peyrer-Heimstätt The Jackson complex Installation Galerie Altnöder Salzburg 140x90x160cm diverse Materialien 2010 /// The Jackson complex installation Altnöder Gallery Salzburg 140x90x160cm various materials 2010 The jackson complex Video HD 04 min

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lagerregal

lageregalageregalageregal (anthropomorph) set 1 (Installationsansichten Parallel-artfair 2014, Altes Zollamt Wien Metall, Holz, Lack, Magnete. Dimensionen variabel 2014/2015 /// lageregalageregalageregal (anthropomorph) set 1 (host, fully booked) metal, wood, enamel, magnets. dimensions variable 2014/2015 lageregalageregalageregal (anthropomorph) set 2 (ausgelagerte Objekte) Metall, Holz,

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lagerregal

lageregalageregalageregal (anthropomorph) set 1 (Installationsansichten Parallel-artfair 2014, Altes Zollamt Wien Metall, Holz, Lack, Magnete. Dimensionen variabel 2014/2015 /// lageregalageregalageregal (anthropomorph) set 1 (host, fully booked) metal, wood, enamel, magnets. dimensions variable 2014/2015 lageregalageregalageregal (anthropomorph) set 2 (ausgelagerte Objekte) Metall, Holz,

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