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Jack the dripper – Harry Plotter.

Jack the dripper- Harry Plotter. Installationsansicht Galerie Altnöder, Salzburg. 2010 // Jack the dripper – Harry Plotter. Installation view Altnöder Gallery, Salzburg. 2010 Jack the dripper/Harry Plotter Nicht erschöpfend aufgezählte Grundbedingungen der Malerei: a) Die Mediengröße wird durch die Größendimensionen

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Jack the dripper – Harry Plotter.

Jack the dripper- Harry Plotter. Installationsansicht Galerie Altnöder, Salzburg. 2010 // Jack the dripper – Harry Plotter. Installation view Altnöder Gallery, Salzburg. 2010 Jack the dripper/Harry Plotter Nicht erschöpfend aufgezählte Grundbedingungen der Malerei: a) Die Mediengröße wird durch die Größendimensionen

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Too young to talk, little Ludwig gestured, helplessly.

Installation Soulangh Cultural Center Tainan/Taiwan Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (Dimensionen variabel) Edelstahl, Seile, Holz, Stahlfedern, etc. 2015 /// Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (dimensions variable) stainless steel, ropes, wood,

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Too young to talk, little Ludwig gestured, helplessly.

Installation Soulangh Cultural Center Tainan/Taiwan Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (Dimensionen variabel) Edelstahl, Seile, Holz, Stahlfedern, etc. 2015 /// Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (dimensions variable) stainless steel, ropes, wood,

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Dr. Dodge’s West-Hollywooden, Californian oak-ark-memorial-square.

The californian oak-ark (West Hollywood) steel, tiles, wood, soil. 500x200x300cm 2011       The oak, the fountain Unter der Adresse Kings Road 835, in West Hollywood, befin- det sich das MAK Center for art and architecture, es wurde 1922

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Dr. Dodge’s West-Hollywooden, Californian oak-ark-memorial-square.

The californian oak-ark (West Hollywood) steel, tiles, wood, soil. 500x200x300cm 2011       The oak, the fountain Unter der Adresse Kings Road 835, in West Hollywood, befin- det sich das MAK Center for art and architecture, es wurde 1922

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Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle.

Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle. Der Bote, FedEx-Boten-Hemd (XL), FedEx-Paket, Magnete, Kunsthaarfell; 130x60x40cm Metall, Lack, Textilien, FedEx-Paket 2015 Performance/Installationview Peter Fritzenwallner @ wellwellwell Vienna, as a part

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Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle.

Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle. Der Bote, FedEx-Boten-Hemd (XL), FedEx-Paket, Magnete, Kunsthaarfell; 130x60x40cm Metall, Lack, Textilien, FedEx-Paket 2015 Performance/Installationview Peter Fritzenwallner @ wellwellwell Vienna, as a part

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Immersivity. The empty room. He refused all objects. 72 hrs world of warcraft. The external hard-drive serves as a consolatory, warming body. closeness. warmth..

Performance/Installation @ wellwellwell Vienna, as a part of: NARRATOLOGY—LA FOLIA. Heinrich Dunst, Peter Fritzenwallner, Stephanie Kaiser. 29th of May – 20th of June, 2015 curated by Sabine Folie.       Immersivität. Das leere Zimmer. Die verweigerten Objekte. 72 hrs

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Immersivity. The empty room. He refused all objects. 72 hrs world of warcraft. The external hard-drive serves as a consolatory, warming body. closeness. warmth..

Performance/Installation @ wellwellwell Vienna, as a part of: NARRATOLOGY—LA FOLIA. Heinrich Dunst, Peter Fritzenwallner, Stephanie Kaiser. 29th of May – 20th of June, 2015 curated by Sabine Folie.       Immersivität. Das leere Zimmer. Die verweigerten Objekte. 72 hrs

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Neapolitan gestures.

Installation/Performance h13 award 2013, Kunstraum Niederösterreich // installation/performance h13 award 2013, lower austria contemporary     bühnchen. (A study about brechtian Theater-techniques) 200x300x220cm Holz, Stahl, Lack, MDF, 2013 // Micro-stage. (A study about brechtian Theater-techniques) 200x300x220cm wood, steel, laquer, plywood;

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Neapolitan gestures.

Installation/Performance h13 award 2013, Kunstraum Niederösterreich // installation/performance h13 award 2013, lower austria contemporary     bühnchen. (A study about brechtian Theater-techniques) 200x300x220cm Holz, Stahl, Lack, MDF, 2013 // Micro-stage. (A study about brechtian Theater-techniques) 200x300x220cm wood, steel, laquer, plywood;

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Missing Limb

h13-Performance/Installation Kunstraum Niederösterreich 2013, (Fotos: esel.at, Bernard Ammerer)   h13Performance/Installation lower austria contemporary 2013, (Photos: esel.at, Bernard Ammerer)     Jacques Lacan HOMMELETTE Fallstudie Reinhold Messner (cold feet, missing limbs.) Reinhold Messner betritt als 5-Jähriger, an einem schönen Sommertag im

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Missing Limb

h13-Performance/Installation Kunstraum Niederösterreich 2013, (Fotos: esel.at, Bernard Ammerer)   h13Performance/Installation lower austria contemporary 2013, (Photos: esel.at, Bernard Ammerer)     Jacques Lacan HOMMELETTE Fallstudie Reinhold Messner (cold feet, missing limbs.) Reinhold Messner betritt als 5-Jähriger, an einem schönen Sommertag im

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Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) // A painting, consisting of various forms, carried by various people. A collective public speech, based on a handwritten, non-readable text.

Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) Installationsansicht Salzburger Kunstverein (Photo: Andrew Phelps) Dimensionen variabel Lack, Acryl, Holz, Sperrholz. 2012/2013 Courtesy: Altnöder Gallery/Salzburg, Altnöder collection. // A painting, consisting of various forms, carried

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Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) // A painting, consisting of various forms, carried by various people. A collective public speech, based on a handwritten, non-readable text.

Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) Installationsansicht Salzburger Kunstverein (Photo: Andrew Phelps) Dimensionen variabel Lack, Acryl, Holz, Sperrholz. 2012/2013 Courtesy: Altnöder Gallery/Salzburg, Altnöder collection. // A painting, consisting of various forms, carried

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Creatures, whose shadows couldn’t be distinguished and identified by the people in plato’s cave.

Performance @ Lust Gallery Vienna, May 2013. Photography: Bernard Ammerer/Christoph Srb Duration: approx. 1h30min. Creatures, whose shadows couldn’t be distinguised by the people in Plato’s cave… Lamdaprint on Aludipond 60x80cm edition of 5.   Creatures, whose shadows couldn’t be distinguished

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Creatures, whose shadows couldn’t be distinguished and identified by the people in plato’s cave.

Performance @ Lust Gallery Vienna, May 2013. Photography: Bernard Ammerer/Christoph Srb Duration: approx. 1h30min. Creatures, whose shadows couldn’t be distinguised by the people in Plato’s cave… Lamdaprint on Aludipond 60x80cm edition of 5.   Creatures, whose shadows couldn’t be distinguished

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Hannah Heidegger’s deep boredom. Waiting for Martin at the station Todtnauberg. (Why do we need objects? To extend ourselfes to the world and other dimensions like the outer space?)

Performance/Installation; Kunstraum lower Austria; Vienna, 2013 Installation/Performance @ wellwellwell Vienna, 2015                 Hannah Heidegger. Tiefe Langeweile am Bahnhof Todtnauberg. (Warum wir Objekte brauchen als Verlängerung unserer Selbst.) Für diese Performance baute ich ein

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Hannah Heidegger’s deep boredom. Waiting for Martin at the station Todtnauberg. (Why do we need objects? To extend ourselfes to the world and other dimensions like the outer space?)

Performance/Installation; Kunstraum lower Austria; Vienna, 2013 Installation/Performance @ wellwellwell Vienna, 2015                 Hannah Heidegger. Tiefe Langeweile am Bahnhof Todtnauberg. (Warum wir Objekte brauchen als Verlängerung unserer Selbst.) Für diese Performance baute ich ein

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