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die Liegenden (Ludwig und Wong). // Reclining figures (Ludwig and Wong).
die Liegenden (Ludwig und Wong). Stahl, Teppich. 40x220x160cm 2017

die Liegenden (Ludwig und Wong). // Reclining figures (Ludwig and Wong).
die Liegenden (Ludwig und Wong). Stahl, Teppich. 40x220x160cm 2017

Jack the dripper – Harry Plotter.
Jack the dripper- Harry Plotter. Installationsansicht Galerie Altnöder, Salzburg. 2010 // Jack the dripper – Harry Plotter. Installation view Altnöder Gallery, Salzburg. 2010 Jack the dripper/Harry Plotter Nicht erschöpfend aufgezählte Grundbedingungen der Malerei: a) Die Mediengröße wird durch die Größendimensionen

Jack the dripper – Harry Plotter.
Jack the dripper- Harry Plotter. Installationsansicht Galerie Altnöder, Salzburg. 2010 // Jack the dripper – Harry Plotter. Installation view Altnöder Gallery, Salzburg. 2010 Jack the dripper/Harry Plotter Nicht erschöpfend aufgezählte Grundbedingungen der Malerei: a) Die Mediengröße wird durch die Größendimensionen

Too young to talk, little Ludwig gestured, helplessly.
Installation Soulangh Cultural Center Tainan/Taiwan Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (Dimensionen variabel) Edelstahl, Seile, Holz, Stahlfedern, etc. 2015 /// Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (dimensions variable) stainless steel, ropes, wood,

Too young to talk, little Ludwig gestured, helplessly.
Installation Soulangh Cultural Center Tainan/Taiwan Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (Dimensionen variabel) Edelstahl, Seile, Holz, Stahlfedern, etc. 2015 /// Being too young to talk, little Ludwig gestured, helplessly. 450x1400x1000cm (dimensions variable) stainless steel, ropes, wood,

Dr. Dodge’s West-Hollywooden, Californian oak-ark-memorial-square.
The californian oak-ark (West Hollywood) steel, tiles, wood, soil. 500x200x300cm 2011 The oak, the fountain Unter der Adresse Kings Road 835, in West Hollywood, befin- det sich das MAK Center for art and architecture, es wurde 1922

Dr. Dodge’s West-Hollywooden, Californian oak-ark-memorial-square.
The californian oak-ark (West Hollywood) steel, tiles, wood, soil. 500x200x300cm 2011 The oak, the fountain Unter der Adresse Kings Road 835, in West Hollywood, befin- det sich das MAK Center for art and architecture, es wurde 1922

Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle.
Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle. Der Bote, FedEx-Boten-Hemd (XL), FedEx-Paket, Magnete, Kunsthaarfell; 130x60x40cm Metall, Lack, Textilien, FedEx-Paket 2015 Performance/Installationview Peter Fritzenwallner @ wellwellwell Vienna, as a part

Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle.
Can you ship the book on Post-Internet-Art to me per FedEx or Post? Sorry, don‘t have a kindle. Der Bote, FedEx-Boten-Hemd (XL), FedEx-Paket, Magnete, Kunsthaarfell; 130x60x40cm Metall, Lack, Textilien, FedEx-Paket 2015 Performance/Installationview Peter Fritzenwallner @ wellwellwell Vienna, as a part

Immersivity. The empty room. He refused all objects. 72 hrs world of warcraft. The external hard-drive serves as a consolatory, warming body. closeness. warmth..
Performance/Installation @ wellwellwell Vienna, as a part of: NARRATOLOGY—LA FOLIA. Heinrich Dunst, Peter Fritzenwallner, Stephanie Kaiser. 29th of May – 20th of June, 2015 curated by Sabine Folie. Immersivität. Das leere Zimmer. Die verweigerten Objekte. 72 hrs

Immersivity. The empty room. He refused all objects. 72 hrs world of warcraft. The external hard-drive serves as a consolatory, warming body. closeness. warmth..
Performance/Installation @ wellwellwell Vienna, as a part of: NARRATOLOGY—LA FOLIA. Heinrich Dunst, Peter Fritzenwallner, Stephanie Kaiser. 29th of May – 20th of June, 2015 curated by Sabine Folie. Immersivität. Das leere Zimmer. Die verweigerten Objekte. 72 hrs

Neapolitan gestures.
Installation/Performance h13 award 2013, Kunstraum Niederösterreich // installation/performance h13 award 2013, lower austria contemporary bühnchen. (A study about brechtian Theater-techniques) 200x300x220cm Holz, Stahl, Lack, MDF, 2013 // Micro-stage. (A study about brechtian Theater-techniques) 200x300x220cm wood, steel, laquer, plywood;

Neapolitan gestures.
Installation/Performance h13 award 2013, Kunstraum Niederösterreich // installation/performance h13 award 2013, lower austria contemporary bühnchen. (A study about brechtian Theater-techniques) 200x300x220cm Holz, Stahl, Lack, MDF, 2013 // Micro-stage. (A study about brechtian Theater-techniques) 200x300x220cm wood, steel, laquer, plywood;

Missing Limb
h13-Performance/Installation Kunstraum Niederösterreich 2013, (Fotos: esel.at, Bernard Ammerer) h13Performance/Installation lower austria contemporary 2013, (Photos: esel.at, Bernard Ammerer) Jacques Lacan HOMMELETTE Fallstudie Reinhold Messner (cold feet, missing limbs.) Reinhold Messner betritt als 5-Jähriger, an einem schönen Sommertag im

Missing Limb
h13-Performance/Installation Kunstraum Niederösterreich 2013, (Fotos: esel.at, Bernard Ammerer) h13Performance/Installation lower austria contemporary 2013, (Photos: esel.at, Bernard Ammerer) Jacques Lacan HOMMELETTE Fallstudie Reinhold Messner (cold feet, missing limbs.) Reinhold Messner betritt als 5-Jähriger, an einem schönen Sommertag im

Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) // A painting, consisting of various forms, carried by various people. A collective public speech, based on a handwritten, non-readable text.
Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) Installationsansicht Salzburger Kunstverein (Photo: Andrew Phelps) Dimensionen variabel Lack, Acryl, Holz, Sperrholz. 2012/2013 Courtesy: Altnöder Gallery/Salzburg, Altnöder collection. // A painting, consisting of various forms, carried

Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) // A painting, consisting of various forms, carried by various people. A collective public speech, based on a handwritten, non-readable text.
Das gemeinsame, stumme und öffentliche Vortragen eines handschriftlich verfassten, jedoch unleserlichen Textes. (G. Krakl) Installationsansicht Salzburger Kunstverein (Photo: Andrew Phelps) Dimensionen variabel Lack, Acryl, Holz, Sperrholz. 2012/2013 Courtesy: Altnöder Gallery/Salzburg, Altnöder collection. // A painting, consisting of various forms, carried

Creatures, whose shadows couldn’t be distinguished and identified by the people in plato’s cave.
Performance @ Lust Gallery Vienna, May 2013. Photography: Bernard Ammerer/Christoph Srb Duration: approx. 1h30min. Creatures, whose shadows couldn’t be distinguised by the people in Plato’s cave… Lamdaprint on Aludipond 60x80cm edition of 5. Creatures, whose shadows couldn’t be distinguished

Creatures, whose shadows couldn’t be distinguished and identified by the people in plato’s cave.
Performance @ Lust Gallery Vienna, May 2013. Photography: Bernard Ammerer/Christoph Srb Duration: approx. 1h30min. Creatures, whose shadows couldn’t be distinguised by the people in Plato’s cave… Lamdaprint on Aludipond 60x80cm edition of 5. Creatures, whose shadows couldn’t be distinguished